2024 Buying Trip – North India

Every January, I embark on my journey to curate the stunning statues you’ll see on Lotus Sculpture throughout the year. This year’s journey takes me through the heart of India and Nepal, and yes, those are the majestic Himalayas I’m glimpsing from my window. The sight of these towering mountains is incredibly humbling!

I invite you to stay connected for weekly updates on my journey! I’ll be sending out newsletters, to sum up my adventures, and you can also follow along daily on Instagram for a more up-close and personal experience of my travels.

My trip began in Delhi, with my good friend Piyush, and I’ve already picked out some amazing new designs, like this Nandi, to add to our collection soon.

You have spoken and I have listened!
I’m very excited to share something new with you all! After hearing your requests for smaller murtis for home altars, I’ve found a fantastic range of brass and copper murtis, all 6 inches or smaller. It’s great to know I can bring exactly what you’ve been looking for to your sacred spaces. Your feedback is invaluable, and I’m thrilled to respond to your needs!

I had the chance to learn extensively about the coloring process of our brass murtis. Vijay, who manages the coloring, guided me through the entire procedure, giving me an insightful look into this intricate art form.

Check out the video below for a closer look at the process:

My visit to the showroom had a charming local twist when a mongoose curiously sniffed me, revealing that a mongoose family calls this place home. I was told by Carol on Instagram that “At least you’ll be safe from cobras!”
Thank you Carol but I am more worried about Delhi Belly than cobras at this point.

Check out the Instagram post below to meet my new mongoose friend:

Next, my journey took me to Jaipur, the heartland of India’s white marble craftsmanship. Here, I had the pleasure of meeting Ajaysharma and his brother, Vijay, in their quaint studio. Ajay is a master at carving intricate white marble statues, while Vijay brings them to life with his skillful painting. It’s a perfect blend of creativity and brotherly collaboration, truly capturing the essence of Jaipur’s artistic spirit.

I have managed to visit quite a few temples since I arrived. I just can’t get enough of the unique sights and sounds each one has to offer. It’s so cool to soak up all that energy – It really makes you feel part of something bigger.

I have just arrived in Nepal and am looking forward to exploring the narrow streets of Patan in search of more statues!

The Passing of an Indian Master Artisan

I recently heard the sad news that one of the artisans, with whom I have been working with for over 20 years, had passed away. Elumalai was a master of his craft. He specialized in carving with a grey marble stone that was softer than typical colored marbles. This allowed him to give all his statues intricate details that are often missing from marble statues.

“Looking into the eyes of one of his Parvati murtis is like peering into the eyes of the actual Goddess. She was alive in the statue and looking back into your soul.”

The facial expressions in his carvings had a softness and inner beauty in them that was unique to his sculptures. Looking into the eyes of one of his Parvati murtis is like peering into the eyes of the actual Goddess. She was alive in the statue and looking back into your soul.

Over the years I have unfortunately gotten news of artists passing and it shakes me to my core. It is truly sad to lose someone who has been a part of my yearly trips to India, someone I have spent so much time with discussing their statues. It is doubly sad to know that they will no longer carve statues for the world to see. When a master passes, himself and the promise of his future masterpieces passes with him.

The loss is more apparent when one realizes that there are few new novices to take his place. India is modernizing and there are many other possibilities for earning a living than there were previously, thus there are much fewer younger apprentices learning from the older masters. This is true all over Asia and it worries me for the future of this art form for generations to come.

From the day I came up with the idea to start Lotus Sculpture it was always my goal to keep the industry of statue making alive and thriving in Asia. Every statue bought puts life back into the family who made each statue and gives incentive for future artisans to carry on with the tradition of statue making. Just know that by buying from Lotus Sculpture you are doing your part to keep the industry alive. For this I thank you on behalf of all of our artisans and from Elumalai, whom you supported all these years.