The Story Behind Lord Nataraja: The Form of Lord Shiva

dancing shiva- Nataraja

Goddess Parvathi’s consort Lord Shiva is well known in the world of Hinduism and is worshipped in several forms and each form signifies a particular facet of life. Of these, I have selected one of the most graceful and meaningful – Nataraja posturing. The sculpture depicts Nataraja or the “King of Dance”, wherein Shiva in his Cosmic form, represents the cycle of existence, destruction, and recreation, the beat of time and beyond the physical. 

nataraja statues
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This article delves into the origins, significance, and deeper symbolism behind Lord Nataraja’s form.

The Origins of Lord Nataraja

However, the depiction of Lord Shiva in dancing posture also has an important cultural and religious value; especially for the southern part of India most associated with Tamil Nadu. The Saivite depiction of dance is called the Dance of Shiva also known as Ananda Tandava, and it has a devoted importance in the Chidambaram temple.

It is significant to note that the concept of Nataraja is stated to have emerged in the course of the Chola dynasty which existed from the 9th to 13th century CE. They now witnessed several bronze sculptures that are mostly focused on the depiction of Shiva.

The Symbolism of the Nataraja Form

The Nataraja Statue can be considered as one of the greatest achievements both from a spiritual and artistic point of view. Each of the objects depicted in the picture is symbolic of a certain philosophy:

  1. Dancing Posture (Tandava): In the center of the picture there is depicted Shiva dancing within the ring of fire that symbolizes the life-death-rebirth process.
  2. Four Arms: Each of his four arms relates to a different cosmic function:
  • The right upper hand holds a drum (damaru) which denotes the creation and the sound of the universe.
  • The upper left hand has fire or agni which symbolizes destruction or change.
  • In the right hand which is in the lower position, she holds abhaya mudra (protective gesture) and blesses devotees to emerge out of fear.
  • One of the gestures of the legs is pointed downward with his left hand to the raised foot to symbolize freedom and grace from the God almighty.
  1. Dwarf Demon (Apasmara): Covering the feet of Shiva stands a dwarf demon known as Apasmara representing ignorance and ego under Shiva’s feet to represent wisdom.
  2. Crescent Moon and the Ganges: This crescent moon symbolizes time and is included in his hair, and the water that constantly gushes from his hair symbolizes the renewal and purification of the river Ganges.
  3. Encircling Flame: In Encircling Flame or Prabhamandala, the circle around Nataraja represents the other half of the cosmic energy that advices and destroys the universe.
  4. SerenePose: Non-volatile movement – Even though Shiva is dancing vigorously, his facial expression is of peace depicting the dynamic aspect of stillness.

The Cosmic Dance: Ananda Tandava and Rudra Tandava

There are generally two broad categories of Shiva’s dance.

  • Ananda Tandava (Dance of Bliss): This form is the dance that symbolizes the bliss that is created in the universe due to the energy of Shiva.

That is why, for example, there is 

  • Rudra Tandava: The dance of destruction that prepares the ground for creation, a new beginning, and a new life.
nataraja statues
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Nataraja in Spiritual and Scientific Context

Jain’s research highlights that the Nataraja form of Lord Shiva has been a significant topic in discussions across religion, science, and philosophy. Physicists draw parallels between Shiva’s cosmic dance and the kinetic motion of subatomic particles. This cultural association is further exemplified at CERN (the European Organization for Nuclear Research), where a statue of Nataraja serves as a symbol of this connection.

Worship and Cultural Influence

There’s one more element of the picture that is obligatory for devotees across India and maybe across the world which is Lord Nataraja or the dancing Shiva which has its connection with Chidambaram, the cosmic dance hall. His dance is an integral feature of the temple and its music and dance programs such as Natyanjali in tune with his persona. 

In addition, through a well-executed Nataraja, it is also possible to see how this motif was adopted in classical Indian dance such as the Bharatnatyam in which the dancer translates Shiva’s rhythm across the cosmos into the dance movements.

nataraja puja worship
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Nataraja’s form of Lord Shiva is not only a beautifully depicted sculpture but holds the cosmic aspect of the universe as well. It also reflects the creative and destructive forces, the light and darkness, the movements and non-movement. Thus, one can learn about the existence of the principles that are timeless when observing Nataraja’s dance, so this form of Shiva is considered one of the most sacred in Hinduism.

Explore the divine artistry of Nataraja and other sacred Hindu Gods idols at Lotus Sculpture, where tradition meets craftsmanship in every masterpiece.

The Kung Foo Brothers, Bronze in Swamimalai!

Varadaraj and I and some of his bronze creations

I met Vardaraj, Varun, and Sini 8 years ago in the first years of Lotus Sculpture. Varadaraj is the eldest, Varun is in the middle and Sini is the baby. They were three kids who just broke away from a bronze collective they were apprenticing at for the past ten years to start their own bronze collective. I was their first customer. Immediately I could see they were different. They were young, loved making bronze statues, and had big ideas for their future. I saw myself in them as we both were striving towards the same goals. In our first meeting I also discovered Varun, the middle-aged brother wanted to be in Kung foo movies. I still remember that exchange when he told me his future plans. “Like Jackie Chan!'”, he said eagerly. I made him repeat it several times as I really couldn’t believe my ears and in the end came the conclusion that this tall, muscular kid from Swamimalai had bigger dreams outside of the bronze casting business. Everyone can dream! From that day on my relationship and love for the Kung Foo Brothers, as I started to refer to them, has grown 100 fold. They are part of my Indian family!

23 foot Nataraja in mold
23 foot Nataraja is its earthen mold ready for casting!

Immediately I could see they were different than other bronze artists. They were young, loved making bronze statues and had big, ambitious plans for their future

Vardaraj, the oldest, had a different dream. Besides casting the best statues Swamimalai has to offer he wanted to make the world’s largest Nataraja statue. After arriving at his workshop this afternoon I saw how close he is to realizing his dream. The Nataraja is ready for casting! The Nataraja is 23 feet tall and will weigh a total of 10 tons of pure bronze! View this amazing Nataraja! After we climbed over the enormous mold of the Nararaja I then moved inside to view my, more modest bronze statues. They are experts at the Nataraja form and I took in the 4 Natarajas I commissioned. Each a perfect representation of Shiva’s dance of destruction. In each statue, Shiva is suspended upon the prostrate dwarf, Apasmara, like he is flying, light as a feather. In my opinion, there is no statue form as fine as a Nataraja with perfect proportions. It will always take a little of my breath away to see a masterpiece Nataraja as Varadaraj is so adept at creating!

Varun and Varadaraj working on a wax model of Ravendra
Varun and Varadaraj working on a wax model of Ravendra

I spent two days with the family and enjoyed their youthful, smiling mother’s, “Mama’s” cooking for lunch each day. It is always my favorite meal in India a mixture of prawn curry, chicken masala, and coconut rice that is impossible to find made with such love at any restaurant. I bought them an iPhone which we spent a couple of hours figuring out the inner workings to the phone. I love watching the interplay between the three brothers. They are so close I really think they can read the mind of each other. Whenever they are sitting together they have an arm over each other’s shoulder, whispering into the others’ ear. I often feel like I am intruding as their exchanges feel so private and personal.

While roaming around the now 30 workers Varadaraj now has working for him, I took many videos of the lost wax method process to show in more detail how south Indian bronze statues are made. The process is incredibly long and tedious with 5 separate steps. I thought video is the best way to illustrate with bronze statue making process. People oftentimes say the prices of bronze are too high on Lotus Sculpture. I know that when one fully understands the entire process and the overall work that goes into the making of one bronze statue you will wonder why they are so inexpensive! I will be adding these and many other videos to our site and youtube channel in the coming weeks.

By far my favorite piece of news I have received on this trip was that Varun has received a role as the hero in an action film in Chennai that starts filming in two months!!! He will be a Kung foo hero, like Jackie Chan!!! I literally jumped off the ground when he told me this. I am so happy for him. I love it when people have dreams and make them into realities. The Kung foo brothers are dreamers and I am very happy to call them my friends.

Click here to View South Indian Bronze Murtis Made by Varadaraj and His Brothers

 

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