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Bronze Brahma the Creator Statue 15"
Item# 73b21
Bronze Brahma the Creator Statue 15"
Item# 73b21
3442 Store Reviews
Statue Details
Total Height Including Base: 15 inches
Base Width & Depth: 5.5 x 5.5 inches
Weight: 18 pounds
- Brahma is the Hindu God of creation and part of the Hindu Trimurti along with Shiva and Vishnu
- He has four faces that look in each direction
- Brahma has 8 arms that hold a variety of weapons including a water pot that can be removed from the statue
- Brahma is a one of a kind, lost wax method, bronze statue. Only one of these statues is ever made
- He ships directly from our California gallery
Brahma is a part of the holy trinity of Hinduism along with Vishnu the Preserver and Shiva the destroyer. Brahma is the creator of the universe. Brahma has four heads and 8 arms. With each head he continually recites one of the four Vedas. He is shown as having 8 arms holding a water-pot or a kamandalu (sometimes depicted as a coconut shell containing water). The water pot is cast separately and can be removed from the statue. The significance of the water is that it is the initial, all-encompassing ether in which the first element of creation evolved. Brahma also holds a string of malas that he uses to keep track of the Universe's time. He also holds a trident, cresent moon shaped spear, a copy of the holy vedas, a spear, ax and a club. Statues of Brahma are almost as rare as temples to the god of Creation. There are only 2 temples dedicated to Brahma in India. This stems from his mistreatment of his consort Saraswati.
I always say to our customers;
The sculpture chooses you, you do not choose the sculpture.
You just know when you find the right piece to bring into your home and into your heart. - Kyle Tortora, Founder of Lotus Sculpture
You just know when you find the right piece to bring into your home and into your heart. - Kyle Tortora, Founder of Lotus Sculpture
Brahma is a part of the holy trinity of Hinduism along with Vishnu the Preserver, Shiva the destroyer and Brahma the Creator. Brahma has four heads and four arms. With each head he continually recites one of the four Vedas. He is shown as having four arms, with none holding a weapon, unlike most other Hindu Gods. One of his hands is shown holding a Sattai, or a horse whip. Another of his hands holds a water-pot or a kamandalu (sometimes depicted as a coconut shell containing water). The significance of the water is that it is the initial, all-encompassing ether in which the first element of creation evolved. Brahma also holds a string of malas that he uses to keep track of the Universe's time. Statues of Brahma are almost as rare as temples to the god of Creation. There are only 2 temples dedicated to Brahma in India. This stems from his mistreatment of his consort Saraswati.
The story of Brahma and Saraswati: In the beginning there was chaos. Everything existed in a formless, fluid state. How do I bring order to this disorder? wondered Brahma, the creator. With Knowledge, said Devi. Heralded by a peacock, sacred books in one hand and a veena in the other dressed in white Devi emerged from Brahma's mouth riding a swan as the goddess Saraswati. Knowledge helps man find possibilities where once he saw problems. Said the goddess. Under her tutelage Brahma acquired the ability to sense, think, comprehend and communicate. He began looking upon chaos with eyes of wisdom and thus saw the beautiful potential that lay therein. Brahma discovered the melody of mantras in the cacophony of chaos.
In his joy he named Saraswati, Vagdevi, goddess of speech and sound. The sound of mantras filled the universe with vital energy, or prana. Things began to take shape and the cosmos acquired a structure: the sky dotted with stars rose to form the heavens; the sea sank into the abyss below, the earth stood in between. Gods became lords of the celestial spheres; demons ruled the nether regions, humans walked on earth. The sun rose and set, the moon waxed and waned, the tide flowed and ebbed. Seasons changed, seeds germinated, plants bloomed and withered, animals migrated and reproduced as randomness gave way to the rhythm of life. Brahma thus became the creator of the world with Saraswati as his wisdom.
Saraswati was the first being to come into Brahma's world. Brahma began to look upon her with eyes of desire. She turned away saying, All I offer must be used to elevate the spirit, not indulge the senses. Brahma could not control his amorous thoughts and his infatuation for the lovely goddess grew. He continued to stare at Saraswati. He gave himself four heads facing every direction so that he could always be able to feast his eyes on Saraswati's beauty. Saraswati moved away from Brahma, first taking the form of a cow. Brahma then followed her as a bull. Saraswati then changed into a mare; Brahma gave chase as a horse. Every time Saraswati turned into a bird or a beast he followed her as the corresponding male equivalent. No matter how hard Brahma tried he could not catch Saraswati in any of her forms. The goddess with multiple forms came to be known as Shatarupa. She personified material reality, alluring yet fleeting.
Angered by his display of unbridled passion Saraswati cursed Brahma, "You have filled the world with longing that is the seed of unhappiness. You have fettered the soul in the flesh. You are not worthy of reverence. May there be hardly any temple or festival in your name." So it came to pass that there are only two temples of Brahma in India; one at Pushkar, Rajistan and the other in Kumbhakonam, Tamil Nadu. Undaunted by the curse, Brahma continued to cast his lustful looks upon Saraswati. He gave himself a fifth head to enhance his gaze.
Brahma's action motivated by desire confined consciousness and excited the ego. It disturbed the serenity of the cosmos and roused Shiva, the supreme ascetic from his meditation. Shiva opened his eyes, sensed Saraswati's discomfort and in a fit of rage turned into Bhairava, lord of terror. His eyes were red, his growl menacing. He lunged towards Brahma and with his sharp claws, wretched off Brahma's fifth head. The violence subdued Brahma's passion. Brahma's cut head seared through Bhairava's flesh and clung to his hand sapping him of all his strength and driving him mad. The lord of terror ranted and raved losing control of his senses. Saraswati, pleased with Bhairava's timely action, rushed to his rescue. With her gentle touch she nursed him like a child, restoring his sanity. Brahma, sobered by his encounter with the Lord of terror sought an escape from the maze of his own desire. Saraswati revealed to him the doctrine for his own liberation. Brahma sought to conduct a yagna, fire sacrifice, to cleanse himself and start anew. In order to conduct a yagna ritual the assistance of a wife is needed. Brahma chose Saraswati to be his wife and thus they were reconciled.
The story of Brahma and Saraswati: In the beginning there was chaos. Everything existed in a formless, fluid state. How do I bring order to this disorder? wondered Brahma, the creator. With Knowledge, said Devi. Heralded by a peacock, sacred books in one hand and a veena in the other dressed in white Devi emerged from Brahma's mouth riding a swan as the goddess Saraswati. Knowledge helps man find possibilities where once he saw problems. Said the goddess. Under her tutelage Brahma acquired the ability to sense, think, comprehend and communicate. He began looking upon chaos with eyes of wisdom and thus saw the beautiful potential that lay therein. Brahma discovered the melody of mantras in the cacophony of chaos.
In his joy he named Saraswati, Vagdevi, goddess of speech and sound. The sound of mantras filled the universe with vital energy, or prana. Things began to take shape and the cosmos acquired a structure: the sky dotted with stars rose to form the heavens; the sea sank into the abyss below, the earth stood in between. Gods became lords of the celestial spheres; demons ruled the nether regions, humans walked on earth. The sun rose and set, the moon waxed and waned, the tide flowed and ebbed. Seasons changed, seeds germinated, plants bloomed and withered, animals migrated and reproduced as randomness gave way to the rhythm of life. Brahma thus became the creator of the world with Saraswati as his wisdom.
Saraswati was the first being to come into Brahma's world. Brahma began to look upon her with eyes of desire. She turned away saying, All I offer must be used to elevate the spirit, not indulge the senses. Brahma could not control his amorous thoughts and his infatuation for the lovely goddess grew. He continued to stare at Saraswati. He gave himself four heads facing every direction so that he could always be able to feast his eyes on Saraswati's beauty. Saraswati moved away from Brahma, first taking the form of a cow. Brahma then followed her as a bull. Saraswati then changed into a mare; Brahma gave chase as a horse. Every time Saraswati turned into a bird or a beast he followed her as the corresponding male equivalent. No matter how hard Brahma tried he could not catch Saraswati in any of her forms. The goddess with multiple forms came to be known as Shatarupa. She personified material reality, alluring yet fleeting.
Angered by his display of unbridled passion Saraswati cursed Brahma, "You have filled the world with longing that is the seed of unhappiness. You have fettered the soul in the flesh. You are not worthy of reverence. May there be hardly any temple or festival in your name." So it came to pass that there are only two temples of Brahma in India; one at Pushkar, Rajistan and the other in Kumbhakonam, Tamil Nadu. Undaunted by the curse, Brahma continued to cast his lustful looks upon Saraswati. He gave himself a fifth head to enhance his gaze.
Brahma's action motivated by desire confined consciousness and excited the ego. It disturbed the serenity of the cosmos and roused Shiva, the supreme ascetic from his meditation. Shiva opened his eyes, sensed Saraswati's discomfort and in a fit of rage turned into Bhairava, lord of terror. His eyes were red, his growl menacing. He lunged towards Brahma and with his sharp claws, wretched off Brahma's fifth head. The violence subdued Brahma's passion. Brahma's cut head seared through Bhairava's flesh and clung to his hand sapping him of all his strength and driving him mad. The lord of terror ranted and raved losing control of his senses. Saraswati, pleased with Bhairava's timely action, rushed to his rescue. With her gentle touch she nursed him like a child, restoring his sanity. Brahma, sobered by his encounter with the Lord of terror sought an escape from the maze of his own desire. Saraswati revealed to him the doctrine for his own liberation. Brahma sought to conduct a yagna, fire sacrifice, to cleanse himself and start anew. In order to conduct a yagna ritual the assistance of a wife is needed. Brahma chose Saraswati to be his wife and thus they were reconciled.
Bronze is an extremely durable metal made from a combination of 5 metals; copper, iron, tin, with minute additions of silver and gold. This combination is called Panchaloha bronze and is the basis for making the sacred Hindu temple statues of India and the world. Copper is the most prevalent metal in the alloy. Copper also gives the metal a softer composition that allows the bronze artisans to carve the details that are prevalent in each piece.
All the South Indian bronze sculpture Lotus Sculpture carries are Panchaloham and thus suited for any home altar or community temple.
If you would like the piece to shine use a cotton cloth with some coconut oil or other natural oil to wipe down the bronze statue.
Because of the durability of the metal not much is needed to maintain a bronze sculpture. Many of our customers purchase a bronze statue and perform daily puja and abhisheka consisting of bathing the Hindu deity in ghee, milk, coconut milk or other liquids. In this case nothing is needed to keep the statue clean as it will be bathed daily. If the sculpture is used for "darshan" or simply viewing the sculpture it is best to dust the statue as needed so no dirt collects in the details of the sculpture. For both polished golden bronzes and antique patina bronze statues if you would like the sculpture to shine use a cotton cloth with some coconut oil or other natural oil to wipe down the piece as needed.
Many of our bronze Hindu statues have been placed in outdoor temples. Bronze's durability makes it perfect for cold winters and hot summers of any climate. We suggest you bathe the sculpture every couple of months so that dirt does not collect on the sculpture and then use a cotton cloth with some natural oil to give the statue a shine. Both indoors and outdoors a bronze statue can be left alone which, overtime, will give the bronze an antique patina.
On some bronze statues you can see small hints of lime green, verde-gris patina. Some people prize this color for its age others want to remove it. If you would like to remove the verde-gris use a tooth brush with some coconut oil or other natural oil and lightly go over the verde-gris. This should remove the unwanted patina from the sculpture.
If you have any questions concerning your bronze statue please email us at [email protected] or call us at 1(760) 994-4455.
Bangladeshi Bronze is an extremely durable metal made from a combination of 5 metals; copper, iron, tin, with minute additions of silver and gold. This combination is called Panchaloha bronze and is the basis for making the sacred Hindu temple statues around the world. Copper is the most prevalent metal in the alloy. Copper also gives the metal a softer composition that allows the bronze artisans to carve the details that are prevalent in each piece. All the Bangleshi bronze sculpture Lotus Sculpture carries are Panchaloham and thus suited for any home altar or community temple.
If you would like the piece to shine use a cotton cloth with some coconut oil or other natural oil to wipe down the bronze statue.
Because of the durability of the metal not much is needed to maintain a bronze sculpture. Many of our customers purchase a bronze statue and perform daily puja and abhisheka consisting of bathing the Hindu deity in ghee, milk, coconut milk or other liquids. In this case nothing is needed to keep the statue clean as it will be bathed daily. If the sculpture is used for "darshan" or simply viewing the sculpture it is best to dust the statue as needed so no dirt collects in the details of the sculpture. For Bangladeshi bronze statues if you would like the sculpture to shine, use a cotton cloth with some coconut oil or other natural oil to wipe down the piece as needed.
If you have any questions concerning your bronze statue please email us at [email protected] or call us at 1(760) 994-4455.
USA Shipping
This sculpture is in our Oceanside, California store and ready for immediate shipping. The shipping charge is automatically calculated by UPS for shipping within the United States. Each sculpture is usually shipped within 24 hours of the order with the exception of the weekend.
You can obtain a shipping quote for any statue by clicking the link, Calculate Shipping beneath to the Add To Cart button on every statues' page. Besides the shipping price, the results will also display the date the statue will arrive at your home. Lotus Sculpture uses Instapak foam injection packing system or bubble wrap and recycled peanuts to ensure that all our pieces arrive undamaged. Click here to learn more about Lotus Sculptures packing.
International Shipping
This sculpture is in our Oceanside, California store and ready for immediate shipping to anywhere in the world. International shipping charges will be calculated automatically upon checkout.
You can obtain a shipping quote for any statue by clicking the link, Calculate Shipping beneath to the Add To Cart button on every statues' page. Or you can email [email protected] or call us 760-994-4455 to receive a shipping quote. Please include the item number of the statue you are interested in purchasing as well as your country and postal code. Lotus Sculpture uses Instapak foam injection packing system or bubble wrap and recycled peanuts to ensure that all our pieces arrive undamaged. Click here to learn more about Lotus Sculptures packing.
